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Measures: 35 - 60
Unique Durations: 8-9
Unique Chords: > 10
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Baroque
Air on the G String for piano and vibes
FortePiano11
1:55 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 21 6 5 6 100%
Bass 25 0 8 3 100%
Vibraphone Treble 22 43 6 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 21 6 5 6 100%
Bass 25 0 8 3 100%
Vibraphone Treble 22 43 6 8 100%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
HWV8A1N7 - "Lontan del mio tesoro" in C Major
edward.maurath
5:20 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 40 3 8 70%
Bass 23 24 4 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 40 3 8 70%
Bass 23 24 4 5 100%
Violoncello Bass 20 0 3 5 100%
Mirtillo 17 0 6 6 76%
Contrabasses Bass 8 0 0 5 10%
Viola 9 0 0 4 10%
Violins
1		 Treble 9 0 0 5 10%
Violins
2		 Treble 10 0 0 4 10%
Violoncellos Bass 8 0 0 5 10%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
HWV61A2N46 - Regard, O son, my flowing tears
edward.maurath
6:48 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
Cello Bass 23 0 7 10 98%
NITOCRIS 16 0 6 9 76%
Violin Treble 23 2 9 9 71%
Violoncellos Bass 17 0 5 9 69%
Violone Bass 17 0 5 9 69%
 
Handel's Joshua No. 4 - O First in Wisdom
Anonimasu1
2:32 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 25 6 8 99%
Bass 21 4 4 8 98%
Baritone Bass 17 0 4 8 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 25 6 8 99%
Bass 21 4 4 8 98%
Baritone Bass 17 0 4 8 81%
 
Toccata in C Minor
NLOCKEPIANO
1:59 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 37 33 9 9 100%
Bass 28 25 8 6 100%
Bass 10 0 2 5 38%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 37 33 9 9 100%
Bass 28 25 8 6 100%
Bass 10 0 2 5 38%
 
Handel: HWV 57: Samson, "Total Eclipse"
edward.maurath
3:16 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
Cello Bass 17 0 3 6 87%
Violins
1		 Treble 17 0 1 7 75%
Violins
2		 Treble 16 0 1 8 75%
Samson Treble 15 0 5 6 72%
CBass Bass 16 0 2 6 69%
Violoncellos Bass 16 0 2 6 69%
 
"Vieni o cara" from "Rinaldo," HWV 7 (1711)
edward.maurath
5:21 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 38 7 8 100%
Bass 25 20 8 6 97%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 38 7 8 100%
Bass 25 20 8 6 97%
Violoncello Bass 25 0 8 6 97%
Argante Bass 17 0 5 10 80%
Contrabasses Bass 18 0 3 6 75%
Violoncellos Bass 17 0 3 6 74%
Violin Treble 16 3 3 7 72%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%
 
"Ah! crudel, il pianto mio deh!," from "Rinaldo," HWV 7, (1711)
edward.maurath
5:50 Est. Play
Time
45 Measures
1,422Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 23 0 5 11 100%
Contrabass Solo Bass 22 0 6 8 95%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 23 0 5 11 100%
Contrabass Solo Bass 22 0 6 8 95%
Violoncello (Continuo) Bass 20 0 5 8 95%
Cembalo
(Continuo)		 Treble 27 49 8 8 89%
Bass 23 18 5 8 94%
Contrabassi (Continuo) Bass 19 0 5 8 90%
Violas 15 0 3 8 90%
Violins
1		 Treble 22 0 6 9 90%
Violins
2		 Treble 22 0 4 8 90%
Violins
3		 Treble 18 0 4 7 90%
Violoncelli
(Continuo)		 Bass 19 0 5 8 90%
Violoncello Solo Bass 21 0 5 8 86%
Oboe Treble 18 0 4 9 85%
Armida 17 0 6 9 68%
 
Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)
edward.maurath
5:15 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 26 24 9 8 100%
Bass 25 5 7 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 26 24 9 8 100%
Bass 25 5 7 9 100%
Contrabass Bass 23 0 6 9 100%
Violin Treble 24 0 7 9 100%
Violoncello Bass 24 0 7 9 100%
Violoncellos Bass 23 0 6 9 100%
ACHILLA Bass 17 0 4 8 77%
 
HWV56N38 - "How beautiful are the feet" - 1741
edward.maurath
5:30 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
Bass 16 27 5 7 96%
Violini Treble 27 25 9 8 91%
Contrabasses Bass 16 0 3 7 82%
Violoncelli Bass 18 0 3 7 82%
Soprano 17 0 6 6 79%
Cemballo Treble 18 26 5 6 46%
Bass 16 14 4 6 46%
 
He shall feed his flock like a shepherd (1741)
edward.maurath
5:39 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
Contrabassi Continuo Bass 22 0 7 9 100%
Viole 19 0 6 8 100%
Violini 1 Treble 21 0 5 9 100%
Violini 2 Treble 20 0 7 7 100%
Violoncelli Continuo Bass 24 0 7 9 100%
Soprano 12 0 3 8 49%
Alto 12 0 3 7 35%
 
"Il Tricerbero humiliato" from "Rinaldo," HWV 7 (1711 and 1717)
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 22 5 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 22 5 9 100%
Contrabasses Bass 22 0 5 9 100%
Violins Treble 22 0 4 9 100%
Violins
2		 Treble 20 0 4 9 100%
Violoncello Bass 22 0 5 9 100%
Violoncellos Bass 22 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
"Non vo' legarmi il cor" from "Il Pastor Fido," HWV 8 (1712)
edward.maurath
5:31 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 24 0 8 6 96%
Cemballo
(Continuo)		 Treble 22 40 6 8 88%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 24 0 8 6 96%
Cemballo
(Continuo)		 Treble 22 40 6 8 88%
Bass 26 33 8 6 66%
Alto
as Silvio		 14 0 5 8 76%
Violini Treble 13 0 1 7 73%
Contrabassi (Continuo) Bass 14 0 1 5 68%
Violoncelli (Continuo) Bass 14 0 1 5 68%
Viole 12 0 2 4 53%
 
"Fatto è Giove un Dio d'inferno," from "Rinaldo," HWV 7
edward.maurath
0:01 Est. Play
Time
55 Measures
1,171Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 29 109 10 9 97%
Bass 31 38 9 5 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 29 109 10 9 97%
Bass 31 38 9 5 98%
Violoncello (Continuo) Bass 23 0 7 5 98%
Alto
as Armida		 18 0 6 7 68%
Violins Treble 23 0 5 4 68%
Contrabassi (Continuo) Bass 19 0 4 5 66%
Violincelli (Continuo) Bass 19 0 4 5 66%
Violas 17 0 5 5 19%